Speak Easy! Pt. 5 - Live on the Air!

    

    Before you read your poem at a poetry venue or radio program, remember that there are two types of people who participate in open mics: Those who just want to share their words with others; and those want to seriously pursue poetry and spoken word as a profession or a ministry. Regardless of your motivation for stepping up to the mic, it's always best to be fully prepared if you want to get and maintain your audience's attention.

     If you are calling in to read poetry on an Internet radio program, be sure that you know ahead of time the exact time zone of the start of the program if it's different to yours, and type of show you are participating in. It may also be a good idea to just listen in to the show at first, to hear the content. A caveat: Remember that each poetry show has its own set of rules ...and caters to different audiences! If you decide to read a poem on a particular show, make sure to follow the voice prompts that will put you in the line-up to go on the air, otherwise the host will not know that you want to read. Callers go on in the order that their hands "go up", meaning, that if you call in at 8 PM, but don't decide to notify the host that you want to read (by pressing a number on your phone's keypad) until 9:00 PM, everyone who put their hands up between 8:00 and 9:00 will read ahead of you. Some shows will have automated systems that will inform you that you are in line to read, "in queue"; others will not. Most shows have online chatrooms where callers can communicate with one another and also see where they are in the line-up, so you can watch the chatroom activity while listening to the show, or you can turn the volume down on your computer while watching and listening by speakerphone.

     When your turn comes up, the host will call out your prefix and say something like: "Area code 347 is on the air," or if there is more than one person on the call with the same area code, they will say the area code and first 3 digits of the number you are calling from.  Be ready with your paper, phone or document screen open and ready to go when you are called on.When the line is opened for you, don't be shy! Turn the volume down on your computer if it's up to prevent interference, speak out, introduce yourself, and tell the host the title of your poem. If they want to share small talk, feel free to communicate with them, and let them know it's your first time calling in. That helps them to gauge where their audiences are from. The rules for a radio show are a little more relaxed than for a poetry venue, and hosts are very friendly towards newcomers. Read your poem clearly, take your time and don't rush through it.The most important thing to do is to choose a poem that you feel comfortable reading to others, and read it with confidence and feeling. Make sure it's no longer than 2 to 2 1/2 minutes in length, although shorter poems are OK, too. Remember that you are sharing your truth with the world, and people need to hear what you have to say, so command their attention! Don't try to sound like other poets or spoken word artists you have heard or admire, find your own style and do what feels and sounds most natural to you. If you make a mistake, keep on going. It's always a good idea to read your poem over a few times by yourself before going on the air, just in case you get anxious, but don't  ever apologize for being nervous, or for making a mistake. Relax and have fun! remember, that the hosts want and need people to call in, so that they will have a show.  When you are finished, it's good to take a short pause and say: "End poem", some poets say: "That's that piece" to let the host know that they are done.  The host will usually ask you where people can find more of your work. Again, don't say much more than that, or break the flow of your poem in any way that will distract the listeners. If you have a blog or social media page and would like for others to find you, that's the time to let them know. 

     If you register for a free account on the website where the radio show is being hosted, you can also drop a link to your website where others in the chatroom can see it. Most shows are recorded and archived, so you can always go back and listen to them later.

    In Part 6 we will talk about live open mics and poetry venues...so until then, keep writing and sharing your truth!

    *Note: If you're not sure of where to start looking for online poetry shows, there are several that you can choose from on: www.blogtalkradio.com, and www.talkshoe.com.

 

Speak Easy! Pt. 4 - Getting Ready

     Well...you've finally found an open mic venue, radio show or been invited to read poetry at your church, that was was the easy part. Now, the real work begins. So, exactly how do you prepare to read or present your work? First, make sure you know the type of audience you will be performing your poetry for. If it's going to be done at a church or family-oriented program, try to find out the theme of the event so that your poem will be appropriate for the atmosphere. Many church audiences are not familiar with poetry and spoken word, so be discerning about what you present to them and make sure the timing is right for what you want to offer. If you have written a piece that contains profanity or anything that could be interpreted as questionable, you can always modify the language for the event without losing the integrity and strength of the poem. Use an online dictionary or thesaurus to find alternate words to convey your thought. Many poets have two versions of their work to suit different audiences or have learned how to change language on the spot, to avoid offending their listeners. This doesn't mean that you cannot write or speak on certain topics, but the timing and presentation has to be right, in order for your words to be received.  The last thing any poet wants is to lose their audience in the middle of a poem. There is no guarantee that some won't be offended, but let the offence come from their own interpretation of what you say, not from your presentation.

     In Part 5, we will talk about etiquette, and some do's and dont's for poetry and spoken word presentation.

Speak Easy Pt. 3 - Sharing Your Voice

     So...you have all of these wonderful poems written in yor journal, stored in your phone, iPad (TM) or computer and want to share them, right? Where do you go to read your poems? How do you find poetry venues?

     If you use social media such as Facebook or Google plus, you can always look up poetry groups for your area by typing in "poetry" "spoken word" or "open mic" in the taskbar, where several names will come up. There, you can read the posts and see if anything interests you. Once you find an event that you want to attend, you can go and listen for a few times if you are shy, but bring along a few of your favorite poems just in case you want to read. As you continue to go out, you'll meet people and find out about more events. There are also churches who have poetry nights, so you can always ask about those and get in touch with the sponsors. Be aware that there are different types of venues for different tastes, so pay attention to the information on flyers or posts before attending any event. If you want to read at an open mic, get there early enough to sign up on the list, for the best chance at a turn. Depending on the venue, you may have to go back several times before you even get a turn, but don't let that stop you. Keep going to different places and start with smaller crowds, until you get comfortable with larger audiences.

    There are also many open mic poetry shows on the internet where anyone can call in and read their work. This is very good for building confidence in sharing your poetry, because you can read from the comfort of your own surroundings. You can find these shows on Talkshoe.com, Blogtalkradio.com, and others.  Just call in and listen, or follow the prompts to go on the air!

    A word about open mic events: An open mic show is exactly what it is...a space where anyone with something to say can get up and say, sing, or otherwise communicate whatever is on their mind. Some people are of the opinion that Christians should not participate in open mics because the mic is open to every spirit, but I feel that it's a real opportunity to be salt and light in a place that may need what God has given me to offer the world.  I don't write my poetry specifically for the church, I write from my heart, as I'm inspired to write; and my prayer is that through my writing, God will reveal His light to someone who needs to see, in a way that they haven't seen Him before. So, know why you write, be convinced of your poetic voice, and never allow anyone to discourage you in your craft or tell you what you can or cannot write about.  Of course, some topics may be more appropriate for certain audiences or venues than others...more on that later.
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     In Part 4 of Speak Easy, we will talk about some technical aspects of reading and presenting what you write. In the meantime, keep being inspired!

     Enjoy The Number Poem by Poetri the Poet:

   

Speak Easy! Pt. 1 - Poetry

 

 

 

Poetry and Spoken Word are gaining increased popularity in churches, as did the resugence of dance in the 80's and 90's. But, what exactly, is poetry, and why is it being done in church?

Poetry is:

·           An art form that uses words in rhythm and verse to show emotions or tell a story

·        Poetry is a way of telling about life through words

·        Poetry can be about any subject

·        Poetry does not have to rhyme

·        Poetry puts things into words that are hard to say

·        Poetry expresses thoughts, feelings, opinions and dreams

·        Poetry can come from anywhere

·        Poetry is something everyone can create

·        Poetry makes the reader or hearer visualize something or feel a certain way

Poetry is a wonderful way of conveying thoughts and observations about life, using minimal words. Contrary to popular belief, it doesn't have to rhyme. In fact, some of the most interesting poems are written in free verse, meaning that the words just flow naturally, without rhyming. Poetry can explore opinions and alternative views of subjects that may be controversial, because the poetic form allows the writer to creatively express his or her message with a variety of words and dynamics that couldn't be accomplished in a regular speech or editorial. One of the reasons that Poetry and Spoken Word are becoming more popular in churches, is that it allows the Good News to be shared in a way that grabs the attention of those who might not otherwise hear what is being said in a traditional sermon, but that same content expressed poetically will probably not be hard to forget. 

 

 In our next blog, we will talk about some of the different styles of poetry, and share some tips on how to get started with writing and presenting your poems. In the meantime, please enjoy this poem by Poetri the Poet:

 

 

 



Mime, Anyone?

     What is mime? We know it's a popular artform in ministry, but what is it, exactly? There are a lot of people doing it, and many don't understand it, are afraid of it, or see it as evil.

• Where did mime come from?
• Why do people wear "mime" make-up?
• What is the difference between pantomime and mime? Aren't they the same thing?   

     Pantomime is a very old art form that dates back to the Grecian Theatre, when the first recorded pantomime actor Telestes stepped out of the chorus of Seven Against Thebes in 467 B.C. to interpret through movement and gestures, the actions that the chorus sang.  This also shaped the beginnings of Western Theatre. (1)   

     There is a difference between pantomime and mime. Paul Curtis, Founder/Director of The American Mime Theatre, uses the following definitions: Pantomime is the art of creating the illusion of reality by dealing with imaginary objects or situations. Its art rests on the ability to imply weight, texture, line, rhythm and force to the air around them. Mime, on the other hand, is the art of acting silently through various kinds of theatrical movement.



     American mime is a unique combination of playwriting, acting, and moving that is quite different from the familiar French school of mime exemplified by  Marcel Marceau. "He is a pantomimist," Curtis explains, "and pantomime and mime are not the same thing. Pantomime is the handling of imaginary objects or situations. Mime encompasses any form of silent performance. It's a broader term. When a pantomimist is performing, you don't have to believe it or empathize the way you do with speaking theatre. You just see it and are entertained by it. But American mime is more like a play, in that if you don't believe the characters up there, then it's nothing. In American mime, everything has to be motivated; it has to be me. And of course we don't wear white face." American mime actors perform symbolic acdons and express the feelings of their characters honestly through motivated movement they call "form." (2)

     As you can see, there is much more to mime than a lot of people know. One of the main objections to mime ministry is the fact that during the times of the Roman persecution of Christians, mime was used to mock Christianity. It is true that the Roman theatre was the most efficient tool used against Christians (3). But remember that if you don't want mime in the church, there should also be no drama or dance ministries, because according to history, the mimes were part of origins of the theatre, which also eventually included dance as we know it today!  Also, in those days, mimes did not wear "white face", which started in France during the 19th century with the Pierrot pantomimes as pantomime blanche with Gaspard Deburau.

    The mime ministry can be very effective in communicating the Good News of Christ. So, if you are called to minister in this way, learn all that you can about it, don't just put on mime face and a robe, and step out in front of an audience. Know why you do what you are doing, and be able to answer the questions that you may be asked!

     Please enjoy this mime/dance presentation by Dancing For His Glory of Kileen, Texas. Watch their expressions, with and without mime make-up. They are powerful!



________________________________________

Footnotes:

(1)Lust, Annette: The Origins and Development of the Art of Mime, www.mime.info/history-lust.html 

(2)Curtis, Paul, The American Mime Theatre, http://www.americanmime.org/ 

(3)Bruch, Debra, Ph.D.: The Prejudice Against Theatre, www.rtjournal.org/vol_3/no_1/bruch.html

   

  

Passion!

Ths is a repost from April, 2010 as we prepare for Resurrection programs and presentations....

ANGELS: Who do you seek in the tomb, O Christians?
MARYS: Jesus of Nazareth, the crucified, O heavenly ones.
ANGELS: He is not here. He is risen. Go and annound that He is risen from the tomb as foretold.
~ Quem quaritis - (Whom do you seek?) c.950
    
     This is the season when many churches are planning productions for  Palm Sunday, Good Friday, and Resurrection Day (Easter). These presenations include drama, dance, pageantry, or a combination of all three. In larger churches, cast members may audition for these productions, or in smaller ministries everyone is invited to participate, making it an exciting time for teaching and learning.
     Liturgical drama as we know it, evolved from a four-lined 10th century scene known as a trope. The trope was a short musical interlude in the church service that was used to teach the Bible to those who could not read Latin. The earliest and best known trope was the Quem quaritis - "Whom do you seek", performed during the Easter service. Over time, the dramas became more complex, involving more detail with costumes, props, and characters. The most popular form of liturgical drama was the Passion Play, depicting the death, burial, and resurrection of Christ, and has taken on many variations through the years. It is amazing that the elaborate church productions that we enjoy today originated from only four lines!
     Whatever type of production you are doing this year, there are some basic things to remember:
(1) If you have never been in a production before, have fun, and don't be afraid to ask questions. We are all here to tell a story that someone else needs to know.
(2) If you are experienced, don't look down on those who are less skilled than you are, and be available to share your knowledge with others -- but remember that there is only one director.
(3) Be on time! in professional theatre, the saying is: "If you are on time, you're late", meaning, if a rehearsal starts at 7:00, be there at 6:45, ready to work at 7:00 and please don't drag in at 7:15. (That goes for directors too)!
(4) Study your character, understand their motivation. Even if you are part of a crowd that yells: "Crucify Him!" know why you are saying it, and to whom you are talking.  Who are you? a shopkeeper, a farmer, or a elderly person? What did He say or do that caused you to want Him dead? Where are you? When does this take place? Why are you part of the crowd?
(5) Don't talk during rehearsals. If you are waiting for your scene to come up, listen to what others are saying and doing and don't be a distraction. You might miss important information that the director will get tired of repeating.
(6) Mark your script with any notes and cues that are given to you with a highlighter and a pencil, and remember them.
(7) Know your lines and the ones before and after yours, just in case someone misses a cue and you have to keep going. You would be surprised how often this happens, even in professional theatre. Remember, this is live, so there are no retakes.
(8) Speak clearly. There is something actors are taught to do on stage, which is called "popping consonants". It means to pronounce the beginning and ending of each word, so much that even though it sounds exaggerated to you, the people in the audience will hear the words normally.
 (9) Project your voice - speak so the people on the back row and in the balcony can hear you. This does not mean to yell your lines, but it does mean that you have to use your diaphragm to speak. If you are not familiar with this, your director will be able to teach you.
(10) To combat stage fright, stay focused on what you are doing, and remember that people in the audience want you to do well. If you make a mistake, don't show it, even if you have to make something up to get back on track. It has happened to everyone.

    Last of all, be excited about going on stage for Christ, and don't forget your Passion for Him!

Transparency

can't you see that my soul is laid bare?
i have nothing left to hide from the world or those who look with blinded eyes wide open
through the windows of my life
inside the glass house i've been living in
putting up this wonderful facade
and smiling through my tears...
(© 2009 Poetry of Motion!)

There are so many wounded, hurting people among us, we walk past them on the streets; they are our neighbors, co-workers, family members, and friends. Some of them attend church services week after week, hiding behind laughter, a lot of activity, or even negative behavior. These same individuals are in audiences where we perform or share our gifts. It is very sobering to remember that there could be someone watching us who has received a bad Doctor’s report, is having suicidal thoughts, or may be living a double-life. In all of these situations, people are sitting in darkness, looking for the Light. As Worship Artists, we must become so transparent that others can see the Light of Christ that is in us, and become free.

We are Carriers of God’s Glory (Matt. 5:14-16); Messengers of Good News (Is.5:27), and we have a specific assignment (Jer. 1:9). However, if we are half-hearted, not fully present or hiding something within ourselves, we can cause our light to be hidden from others. We cannot afford to do this! (Matt. 6:22-23).
The light of Christ causes darkness to leave, and brings hope to others. Before our next assignment, let’s ask ourselves three questions:

     1. Am I doing this from my heart, or just because I have the
        opportunity?

     2. Am I fully engaged in what I am about to do?

     3. Am I hiding anything from myself?

We are the light of the world, so let’s carry it fully!