Showing posts with label tradition. Show all posts
Showing posts with label tradition. Show all posts

22.12.15

Christmas Blessings!

   

     At this busy time of year, I hope everyone enjoyed wonderful presentations of worship around the Christmas theme whether it was through Musicals, Drama, Poetry, Cantatas, Dance, Caroling, or Non-traditional Tradition, and that those who were observing were blessed. I had the most amazing opportunity to direct a children's play that was a lot of fun for the kids as they learned how to present the Good News of Christ in a creative way. They also learned that excellence as an expectation does not mean to never make a mistake, but to put enough time and effort into what we do, so that no matter what happens, we know what to do when mistakes happens (so that no one else notices) :-)
    Have a Merry Christmas and a Happy New Year, and we will be back in 2016 with more insights about worshiping Christ through the arts!

Blessings... 

23.10.12

Light vs. Darkness

...and don’t participate in the unfruitful actions of darkness. Instead, you should reveal the truth about them.~Eph. 5:11 (CEB)
 
 
     This is the season where we are seeing preparations for what has become one of the biggest celebrations of the year...Halloween. The store aisles are filled with all kinds of decorations in orange, black, purple and green, where houses, jobs and even some churches can transform their entire worlds into haunted works of architechture designed to shock and frighten those who dare to enter. Over time, Halloween costumes have become increasingly violent and bizarre, from simple cartoon characters to mass murderers.
 
     Where did the tradition of Halloween come from? Is is just a harmless celebration with plenty of candy and treats, or there a more sinister origin? As worshipers, can we participate in these activities and still lead others to Christ?

     Do your own research and learn about the real origins of anything you do before getting involved with it, even if it goes on in a church building. We are living in a time when it's important to know, discern, and understand that everything we do impacts our lives...and the lives of those around us.
 
     Selah...

9.1.11

Mime, Anyone?

     What is mime? We know it's a popular artform in ministry, but what is it, exactly? There are a lot of people doing it, and many don't understand it, are afraid of it, or see it as evil.
  • Where did mime come from?
  • Why do people wear "mime" make-up?
  • What is the difference between pantomime and mime? Aren't they the same thing?   
     Pantomime is a very old art form that dates back to the Grecian Theatre, when the first recorded pantomime actor Telestes stepped out of the chorus of Seven Against Thebes in 467 B.C. to interpret through movement and gestures, the actions that the chorus sang.  This also shaped the beginnings of Western Theatre. (1)   

     There is a difference between pantomime and mime. Paul Curtis, Founder/Director of The American Mime Theatre, uses the following definitions: Pantomime is the art of creating the illusion of reality by dealing with imaginary objects or situations. Its art rests on the ability to imply weight, texture, line, rhythm and force to the air around them. Mime, on the other hand, is the art of acting silently through various kinds of theatrical movement.




     American mime is a unique combination of playwriting, acting, and moving that is quite different from the familiar French school of mime exemplified by  Marcel Marceau. "He is a pantomimist," Curtis explains, "and pantomime and mime are not the same thing. Pantomime is the handling of imaginary objects or situations. Mime encompasses any form of silent performance. It's a broader term. When a pantomimist is performing, you don't have to believe it or empathize the way you do with speaking theatre. You just see it and are entertained by it. But American mime is more like a play, in that if you don't believe the characters up there, then it's nothing. In American mime, everything has to be motivated; it has to be me. And of course we don't wear white face." American mime actors perform symbolic acdons and express the feelings of their characters honestly through motivated movement they call "form." (2)

     As you can see, there is much more to mime than a lot of people know. One of the main objections to mime ministry is the fact that during the times of the Roman persecution of Christians, mime was used to mock Christianity. It is true that the Roman theatre was the most efficient tool used against Christians (3). But remember that if you don't want mime in the church, there should also be no drama or dance ministries, because according to history, the mimes were part of origins of the theatre, which also eventually included dance as we know it today!  Also, in those days, mimes did not wear "white face", which started in France during the 19th century with the Pierrot pantomimes as pantomime blanche with Gaspard Deburau.

    The mime ministry can be very effective in communicating the Good News of Christ. So, if you are called to minister in this way, learn all that you can about it, don't just put on mime face and a robe, and step out in front of an audience. Know why you do what you are doing, and be able to answer the questions that you may be asked!

     Please enjoy this mime/dance presentation by Dancing For His Glory of Kileen, Texas. Watch their expressions, with and without mime make-up. They are powerful!



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Footnotes:
(1)Lust, Annette: The Origins and Development of the Art of Mime, www.mime.info/history-lust.html 
(2)Curtis, Paul, The American Mime Theatre, http://www.americanmime.org/ 
(3)Bruch, Debra, Ph.D.: The Prejudice Against Theatre, www.rtjournal.org/vol_3/no_1/bruch.html